This is one of the most animated live-action clips I've ever seen. The timing is simply perfect!
A few things I've noticed:
- Much of the charm here comes from the contrast between the busy, wild 7 seconds of the beginning, and the remaining 5 seconds of quiet aftermath.
- The dog detaches and leaves not at once, but gradually. It reminds me that the principle of arcs is much broader than we usually give it credit for: things tend to change direction over time, not in a single moment.
- Another gradient is his posture. He's hunched down for the first 6 seconds or so, then straightens in three beats:
00:06 - slightly straighter, the dog is further now
00:07 - almost fully upright, but his back is still arched forward - he's still inside the situation
00:10 - fully upright, spine arch reversed, he's out of the situation. - His arm up when he says "you go" is clearly an act of pride and victory.
- For the first 10 seconds, the only thing in the world is that dog. This we see through change: when he feels the crisis to be over, he looks at the photographer - the rest of the world is relevant again
Kudos for Shuki Gamliel, who sent me the link.
3 comments:
Wow, great observations! :)
This feels quite minor compared to the analysis of the mini-story in the video, but I just love the dialogue. There's something almost poeticly arranged about it:
"Arrrggghhhhhh!
You get away-[rrghhhh]!!
You, get away from here.
You, get away from here.
You, get away from here.
You, go!"
I could very easily see that printed up on a lyric sheet for some brutal-and-angsty type of song.
Great Scott, you're right :-) there's a rhythm there that really works. Thanks Eric!
Wow, such a nice catch Doron, and Shuki. This reminds me of the wonderful 1960s-1970s Disney's animations. Such as the Aristocats. Everything seems to be choreographed so well. And to see that in home video live action is really rare.
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